New York-based Atherton has opened for the likes of Chuck Loeb, Patti Austin, Tito Puente and saxophonist Najee. In 2004 her debut CD ‘Let Me Inside Your Love’ made its mark on the national contemporary jazz charts, and in 2006 a cut from this album, ‘I Long For Your Love’ was included on the compilation ‘Ladies of Jazz, ’ which also featured Natalie Cole, Candy Dulfer and Eliane Elias. Her television work includes appearances on the ‘Today’ show, Good Morning America, and as bandleader for the Lifetime network show, ‘Girl’s Night Out’. In addition, Paula performed at fundraisers during Hillary Clinton’s presidential campaign and in 2002 wrote the score for the independent film ‘The Definition of Insanity’.
She has crammed this musical pedigree into every note of ‘Groove With Me, ’ which opens with the zesty ‘Marimba Island’. It’s a track that evokes white crested waves breaking over warm white sand and shimmers with Atherton’s wonderful flute playing. This terrific example of textbook smooth jazz is in the good company of the funky yet melodic ‘Block Party, ’ which is blessed by Chieli Minucci on guitar and the outstanding Dave Delhomme on keyboards. Atherton on alto sax is tremendous, and she stays with it for ‘There Ain’t Nothing.’ Opening with a clear hint of those killer chords from the Boz Scaggs classic ‘Lowdown’ the tune drips with all the rhythm and melody you will ever need and finds Atherton delivering on every level. Later, she reprises the song with her own picture perfect vocals. The result is just as good, and given Atherton’s prowess as a vocalist, it’s surprising that she sings on only three other tracks.
The first, ‘Whenever You Come Around’, is a breathtaking example of smooth R & B that has the added benefit of Darin Brown on keys whilst the heartfelt ‘Send Down An Angel’ (presently climbing the pop charts) allows Atherton to demonstrate another side of her myriad talents. The equally romantic ‘Falling’ provides more of the same, but when Paula is joined by former Tower of Power trumpeter Greg Adams for the ultra funky ‘JB, ’ they crank up the volume for a high octane tribute to the great James Brown. Baron Raymonde’s tenor and baritone sax adds extra horsepower as the whole piece fizzes with a horn-driven frenzy. This same energy is a key component of the aptly titled ‘Funk It Up’ for which Atherton calls on noted keyboard player Onaje Allan Gumbs, and is a feature of a CD on which she is able to move seamlessly from the uptempo, to the tranquil, and all points between. On the tender ‘Winds Of Change (Yes We Can), ’ she is at her melodic best on soprano sax. ‘Light As Air’ is jazzy, interesting and beautifully performed. The album’s only cover, the Ashford & Simpson composition ‘You’re All I Need To Get By’ is big and brassy, thanks in no small part to more great trumpet from Adams.
To select a favorite from a collection replete with riches is no easy task, but all things considered, this accolade goes to the edgy mid tempo ‘Say It Baby’. Lionel Cordew on drums and bassist Schuyler Deale lay down a massive foundation; Brown is again immense on keys and, between blowing up a storm on sax, Atherton still finds time to combine with Naomion for some high calibre backing vocals.
‘Groove With Me’ is a real gem and comes highly recommended.