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AMT S25B

Endorsed artists using this product George Massenburg Tony Marino Jay Leonhart Christian McBride Bob Cranshaw Harvie S Bruce Jackson Steve Varner Rufus Reid Max Kasper Bill McCrossen Michael Formanek Rick Shaw Zac Matthews Buster Williams Scott Colley George Mraz Anders Jormin Tom Barney Chris Minh Doky David Oakes Rob Amster Marco Panascia Stephan Crump Ron Carter Luther Hughes Nat Reeves Timothy Lefebvre Joe Martin Kenny Davis Richard Sadler Johannes Weidmuller Jonty Fisher Michael Olatuja Keith Edwards This product is especially suited for Acoustic Bass Listen and watch: AMT Audio Overview. A brief audio overview of AMT. Sonny Rollins Band Sonny, Kimati, Bob, and Clifton all use AMT Microphone Systems!! Pat Metheny Group - S25B Steve Rodby bassist and David Oaks sound engineer using the AMT S25B Acoustic Bass Microphone System Pat Metheny Group / David Oaks - AMT S25B David Oaks is the one of the worlds greatest sound engineers. See him setting up the AMT S25B! Phil Polumbi - SP25B / S25B Phil using the SP25B only! No pickups here folks!! Christian McBride - S25B / Ron Blake - Roam 1 Elite Christian McBride and Ron Blake using the AMT Microphones live! Dave Ruffo - Barabara Carroll - S25B Master sound engineer Dave Ruffo has recorded Barabara Carroll. The recording uses the AMT S25B on the Acoustic Bass. No pickups, nothing else, just the S25B. Marty Paglione Pod Cast with Tony Miceli Tony interviews Marty about some technical issue's related to AMT Microphones and technical information in general. Microphone bleed, rejection rate, etc etc.. Marco Panascia Marco using the AMT SP25B. No pickups at all on a TV Broadcast from Amsterdam.. Live @ NAMM 2009 with Full Compass Kevin and Kyle stopped by the AMT booth to talk a bit about new AMT Products! Polar pattern Frequency Response Pre-amp

The S25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the bass in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.

Made from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use.  The flex arm is easy to position yet retains it's placement throughout the most active of performances.  The mic has an LED that can be easily seen while performing.  This indicates status of a battery or phantom power. 

The pre-amp for the microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor.   The pre-amp runs off of battery or phantom power.  The output is terminated with a male XLR type connector for balanced use.  The mic is connected to the pre-amp by a four pin locking connector.

Specifications:

Comes with:

• AMT S25B Microphone
• Floor Preamp with XLR output. 
• Hard shell Blo-mold protective case.

AMT S25B in use...

Acoustic Bass