The AMT BCS (Bass Clarinet System) is a complete two microphone package for bass clarinet.
The systems includes 2 AMT LS microphone, 2 inline preamp (phantom power required), and the bass clarinet clamp. The clamp is intended to fit onto most major brand bass clarinets with a specially clamp to fit onto the instrument and hold upto three microphones. Two LS microphones are included with the system to provide coverage of the entire instrument. A third LS microphone can be purchased separately.
The microphones are power via phantom power with the included inline preamps. A small mini mixer is recommended in order to balance the two microphones.
The LS microphones are able to connect to the AMT Wi5IIC beltpack free wireless system, Shure, Sabine, or Line 6 to convert the system to wireless. Each microphone requires it’s own wireless system. Connections to Sennheiser wireless can be achieved with an optional cable.
The VP2 is a two microphone setup for vibraphone and mallet instruments. Endorsed by Dave Samuels and Tony Miceli the AMT Vibe mics are the world’s most unique approach to micing the Vibraphone! The player, audience, and engineer will hear the true acoustic sound of the instrument. The VP2 allows the closest placement of microphones to the instrument on the market today. It’s quick and easy setup and tear down make it also easy to travel with.
The AMT ERTS is the second generation percussion microphone system from AMT. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The ERTS is a mini condenser microphone for professional live and studio use. The ERTS qualities include a natural & even reproduction of sound, resistant to feedback, with high SPL tolerances.
The system comes with one AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp to fit onto various percussion and even the ropes of hand percussion instruments.
AMT Manufactures several accordion microphone systems.
ACCX – Single microphone for smaller size accordions
ACCR – Double microphone for mid size to large accordions
The AMT ACCX is an external microphone system for accordion. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system features a one microphone setup with an external bracket that mounts via double sided tape to the front or side of any size / type of accordion. The bracket then can be removed if not needed as it mounts with high capacity velcro.
The ACCX is the perfect accordion setup for the accordion player looking for a high quality external clip on microphone that can withstand the high sound pressure level of a musette tuned accordion. It can also handle SPL’s from bellow shaking as well as pick up the most sensitive levels of a single reed soloist.
The WS oboe microphone is unique in design and function. The microphone mounts to the oboe and features 2 cardioid microphone elements, each attached to flexible goosenecks. The elements are designed to be positioned at the bell and keys of the oboe. AMT’s dual micing technique results in a natural, authentic reproduction of the instruments sonic characteristics from over the keys as well as the sound produced from the bell. The elements feature cardioid polar patterns, which suppress residual noise and audio signal at the off-axis sections of the capsule. The microphone connects to a separate beltpack that provides the output stage and power.
The AMT 350, 404, and B811 are studio microphones designed to record vocals and instruments on classic analog and the popular growing digital format. With a cardioid pattern, the they are designed to be used for guitar cabinets, acoustic guitars, vocals, and acoustic instruments. AMT’s main goal in manufacturing microphones is to capture the most natural sound possible. The AMT 350, 404, and B811 are engineered to do just that – capture the most natural sound from the source in a controlled setting. Musicians work there entire life to create a personal sound and AMT works to reproduce those sounds as the artist intends them to be heard.
AMT offers three options for harmonica:
- HR2 for 10 hole diatonic.
- HR3 for adjustable chromatic with mounting onto harmonica.
- HR3R for adjustable chromatic with mounts for neck brace.
The HR2 is a clip-on Harmonica Microphone system for diatonic harmonica. The system is low in profile, which allows it to be used with a standard neck harness. Or, be held in the hand of a player while holding the instrument. Hand made in the USA, the microphone comes with spring-loaded clips to attach to the Harmonica and can easily fit into most neck braces on the market today. Compact cylindrical design handles sound pressure levels well above 141dB. Rugged and lightweight anodized aviation aluminum for a very well built and durable construction.
The HR3 is Applied Microphone Technology’s 3rd generation of Harmonica microphone systems. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. Unlike any other harmonica microphone system on the market, the HR3 reproduces the sound of a harmonica as natural as possible.
The AMT P808 Trombone microphone is available with two different mounting systems. The P808 (P808i, P808W, P808 Studio, and P808-5C) are bell mounted setups which includes the standard spring loaded AMT bell mounted clamp. The P808OB (P808OBi – P808OBW, P808OB Studio, Q7-P808OB, and P808OB-5C) are “Off the Bell” mounted systems. Both include the same capsule with is suited best for trombone and low brass instruments.
The AMT P808 is a bell mounted, high SPL clip-on microphone for trombone, low brass, and saxophones producing extreme SPL levels. Designed, manufactured by hand, and distributed by AMT in the USA.
The P808 system is intended to clip onto flanged bell instruments and intended for the player looking for an ‘on the bell’ mounting system. The P808 is the choice for professionals that play at high SPL levels and are looking for a bell-mounted microphone. The P808 includes all updated features like D.C.T. (Disconnect Cable Technology) with the ability to connect to the Wi5C creating a belt pack free wireless system.
The AMT P43S is the second generation harp microphone system from AMT. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA.
The P43S is a mini condenser microphone for professional live and studio use. The P43S qualities include a natural & even reproduction of sound, resistant to feedback, with the ability to capture the delicacies and beauty of a harp. The system comes with one AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp to fit onto the harp. The P43S microphone is attached to a two-part clip. The clip will fit into the sound holes in the back of almost any harp. Simply turn the thumbscrew to loosen the clip, slide it over the edge of a sound hole, and tighten the thumbscrew again. The gooseneck can be bent to point the microphone straight in or at an angle, and to position it either outside or inside the body of the harp.
Applied Microphone is known for the most natural sounding instrument microphones on the market. The 97C, M51, 404, and B811 are no exception, demonstrating yet the most focused and natural sounding drum and percussion microphones hand made by AMT to date. Known for their clarity, excellent transient response, resistance to feedback, SPL handling and ease of operation, they are aimed for mic’ing drums and percussion instruments with the utmost of clarity.