The VP2 is a two microphone setup for vibraphone and mallet instruments. Endorsed by Dave Samuels and Tony Miceli the AMT Vibe mics are the world’s most unique approach to micing the Vibraphone! The player, audience, and engineer will hear the true acoustic sound of the instrument. The VP2 allows the closest placement of microphones to the instrument on the market today. It’s quick and easy setup and tear down make it also easy to travel with.
AMT B811 Overhead Microphone (set of 2) transformer-less microphones.
The B811 cardioid condenser microphone operates without a transformer and has an extremely flat frequency response which is contoured for overhead configurations. When used in pairs, it enables them to accentuate cymbals accurately, while allowing for a good rejection rate outside the perimeter. The sonic quality of the B811’s are achieved through a transformerless circuit. The least amount of electronic components used in a circuit creates a higher transparency. The B811’s are suspended in a 12 point mounting suspension system. The sleek design includes a .50inch diameter microphone head which enables the microphone to be placed in many difficult space setups. Hand made in the USA, the B811’s maintain the same pure sound reproduction that AMT is known for. They operate on phantom power from 15 volts to 48 volts DC. The B811’s are sold in matched pairs.
The B-811 can be used live, in the studio, for broadcast purposes, and for individual instruments such as violin, guitar, piano, woodwinds and brass as well as overheads for drums and percussion. Create a three microphone stereo piano transformerless setup using the B811’s and the legendary AMT M40.
The AMT404 is a cardioid microphone designed for live sound reinforcement and studio applications. The 404’s can withstand high sound pressure levels (SPL). They have an extended frequency response which make it ideal for recording musical instruments as well as choirs, speech, and vocalists of all types. Engineered with the same natural qualities of all the AMT microphones the 404’s include a hard shell carrying case and microphone clips for mounting on mic stands. The 404’s operate on phantom power and work in many applications. They can be used as a vocal microphone, setup even from a distance making it ideal for recording choirs. The 404 has outstanding performance when used for instruments. Excellent for home recording applications and studios when a stereo setup is required. The AMT 404 Overhead Microphones are sold in pairs.
Microphones for Drum set – Set of 4 (Includes AMT Inline preamps & case. Phantom power required)
The AMT 97C & 97-4C (Set of 4) Drum microphone. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The system is available for order in a one microphone setup (97C) or a package of four (97-4C).
Applied Microphone is known for the most natural sounding instrument microphones on the market. The 97C is no exception demonstrating yet the most focused and natural sounding drum and percussion microphone hand made by AMT to date. Known for its clarity, excellent transient response, resistance to feedback, SPL handling and ease of operation, the 97C is aimed for mic’ing drums and percussion instruments with the utmost of clarity.
The 97C is newly designed incorporating an integrated clamping mechanism which can accept all types of drum rim mounting including drum and percussion hoops. With the new trends in drum manufacturing to use different materials, some exotic, making the dimensional sizes vary from the standard metal hoop, the 97C will accept all hoops.
The AMT ERTS is the second generation percussion microphone system from AMT. Designed, manufactured by hand, and distributed by Applied Microphone Technology in the USA. The ERTS is a mini condenser microphone for professional live and studio use. The ERTS qualities include a natural & even reproduction of sound, resistant to feedback, with high SPL tolerances.
The system comes with one AMT microphone with Iso-Ring technology, an AMT inline preamp (phantom power required), and a clamp to fit onto various percussion and even the ropes of hand percussion instruments.
Applied Microphone is known for the most natural sounding instrument microphones on the market. The 97C, M51, 404, and B811 are no exception, demonstrating yet the most focused and natural sounding drum and percussion microphones hand made by AMT to date. Known for their clarity, excellent transient response, resistance to feedback, SPL handling and ease of operation, they are aimed for mic’ing drums and percussion instruments with the utmost of clarity.